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Wood
Inlay Project
This project was undertaken by the Export promotion Council for Handicrafts
on behalf of the Office of the Development Commissioner (Handicrafts),
Ministry of Textiles, Government of India. The main objectives of
this project were as follows:
1. In-depth study of the Karnataka Wood inlay craft and understanding
the craft in terms of its problems and ways of further enhancement.
2. Provide technical know-how and internationally marketable designs.
3. Develop prototypes based on these designs, keeping in mind international
product standards and specifications and also manufacturing feasibility
taking into consideration existing skill and organizational background
of each individual craft unit.
4. Suggest operational procedures for running an export-oriented unit
for e.g. Production techniques, correspondence and marketing techniques,
and preparation of marketing literature.
5. Organizing a workshop with all the participants of the project
for introducing the project criteria and explain the salient points
about product upgradation and product marketability. The Workshop
was held in Mysore, Karnataka at the MultiWood Crafts Complex, Banninantap
Extension with the help of Karnataka State Handicrafts Development
Corporation Ltd.
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dhokara
leather / fabric
terracotta
jute
leather
garments
> wood inlay
wooden gift items
simple tools - student work
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The
participants were manufacturers / exporters of the traditional Mysore
wood inlaid products which include mainly large living room and
dining room furniture, boxes and wall hangings. The inlay designs
used for most of these products are images of Indian mythology and
scenes of rural India. The craft at present involves the use of
a huge variety of woods of different colors and grain patterns.
It also involves large quantities of base wood, which usually is
Rosewood or Teak, which act as the main structural support of the
product. The process involves initial natural seasoning of the wood,
sawing large sections of the base wood and thin sections for the
inlay patchwork. Since most of the traditional products are a combination
of carving and inlay work, a substantial part of the base wood features
hand carvings of old architecture based floral designs and stylized
human and animal forms. The inlay craft is used more for embellishment
and value addition of standard furniture and is usually patronized
by the elite and discerning customer. The costs involved in this
craft prohibit it from being used in smaller day to day products
for mass consumption.
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